Locust Radio Ep. 28 - Anupam Roy + Irrealist Expressionism

In episode 28 of Locust Radio, Adam Turl is joined by Anupam Roy – an artist based in Delhi and member of the Locust Collective. This episode is part of a series of interviews of current and former Locust Collective members and contributors. It is being conducted as research for a future text by Adam Turl on the conceptual and aesthetic strategies of the collective in the context of a cybernetic Anthropocene.

Locust Radio hosts include Adam Turl, Laura Fair-Schulz, and Tish Turl. Producers include Alexander Billet, Omnia Sol, and Adam Turl.

Related texts and topics:  B.R. Ambedkar, see also B.R. Ambedkar, The Annihilation of Caste (1936) (pdf); James Baldwin (writer/author); Geroges Bataille, Visions of Excess: Selected Writings 1927-1939 (pdf); The Bengal Famine (1943); Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” (1936); John Berger (artist and critic), see also Ways of Seeing (video) and Ways of Seeing (1972) (book); Chittaprosad Bhattacharya (artist); Pieter Bruegel the Elder (artist); Claire Bishop, Disordered Attention: How We Look at Art and Performance Today (2024); Bedatri D. Choudhury, “The Artist Who Sketched a Famine in India,” Hyperallergic (April 30, 2018); Communist Party of India (Marxist-Leninist) Liberation; Ben Davis, Art in the After-Culture: Capitalist Crisis and Cultural Strategy (2022); Mark Fisher, Capitalist Realism: Is There No Alternative? (2009); Antonio Gramsci; Institutional Critique (art); Marshall McLuhan (philosopher); Fred Morton (author); Pier Paolo Pasolini (poet and filmmaker); Platform Capitalism; Lionello Puppi, Torment in Art (1991); Kohei Saito, Capital in the Anthropocene (2020); Shulka Sawant, “Cultivating a Taste for Nature: Tagore’s Landscape Paintings,” Economic and Political Weekly 52, no. 19 (2017): 57–63; Songs for Sabotage, New Museum Triennial (2018);  J.W.M. Turner (artist); Adam Turl, Dead Paintings (2010-); Adam Turl interviews Anupam Roy, “We Are Broken Cogs in the Machine,” Red Wedge (May 7, 2019); Vincent Van Gogh.


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